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The Art and Science of String Performance. Samuel Applebaum ; Thomas Lindsay. Publisher: Alfred Music , This specific ISBN edition is currently not available. View all copies of this ISBN edition:. Synopsis In this handy reference for string teachers, Dr. Buy New Learn more about this copy.
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Bends of one or two semitones are the most common, but skilled players may use bends from three semitones to as many as five or more semitones,  as can be heard in the solo played by David Gilmour on the song " Another Brick In the Wall Pt. In addition to the player's skill, the range of a pitch bend is limited to some extent by the type of guitar, material and stiffness of the strings, and area of the neck where the bends are played. For example, steel strings bend further in pitch than nylon strings, thin strings further than thick strings, bends in the middle of the neck further than bends near the nut, etc.
In blues playing, the target note can be slightly higher or lower than the fretted note one or two frets higher. It can be a quarter tone or not even exactly that, but a pitch not present in the tempered scale , being a natural third or seventh instead or close to it.
These are the blue notes , one of which is, for example, between the minor and major third of the scale. The exact location varies from performer to performer. Press the string between the nut and the machine head tuning key , and the pitch shifts. When a string is bent, the sound it creates is much smoother than would be otherwise, even using other slurred techniques such as hammer-ons , pull-offs , or finger slides.
String bending on the guitar was first used in blues to mimic the smooth sound of a slide guitar [ citation needed ]. It has since become an integral part of playing lead guitar. King , and Eric Clapton , as well as many other blues, country, and jazz-influenced guitarists. To facilitate his extensive string bending, Clapton used to substitute an unwound banjo string for the third string on his guitar. Finger vibrato is also a standard part of clavichord technique, known as Bebung.
Until the first half of the 20th century, the clavichord was the only keyboard instrument on which finger vibrato was possible. In , Maurice Martenot —inspired by his experience as a cellist—invented the Ondes Martenot , which featured a keyboard that the player could rock back and forth laterally. Other finger vibrato techniques may also be used on pressure-sensitive electronic keyboards with appropriate sounds and patches. For example, some Rodgers digital church organs have an optional voice for the upper keyboard that provides a solo trumpet with velocity-sensitive volume and pressure-sensitive pitch, so a skilled player can play a realistic trumpet solo.
Art & Science of String Performance, The
Finger vibrato is used on several woodwind instruments, in both classical and traditional music. In Baroque music , it was called flattement in French and used, usually on long notes, on the Baroque flute and recorder , and noted in the writings of Jacques-Martin Hotteterre and Michel Corrette. In Irish music , it is used on the uillean pipes and pennywhistle.
In contemporary terms this technique is more usually referred to as a "timbral trill". From Wikipedia, the free encyclopedia. A note is pre-bent up one semitone, then bent back, followed with a one-tone pull down and hand vibrato. How To Play Blues Guitar. Retrieved Violin family.
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